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Sheng Changyan： An exclusive interview on the chaos of online treasures at present.

With the rapid development of internet technology, the antique art market has ushered in a new wave of online. New formats such as webcasting appraisal and online auction emerge one after another, which brings unprecedented convenience to the collection and collection of antique works of art. However, there are many chaos behind the prosperity of this emerging market. On, Mr. Sheng Changyan, executive vice president of the format construction professional association of the All-China Federation of Folk Cultural Relics and Art Chamber of Commerce, accepted our proposal, and made an in-depth discussion on the present situation, problems and future development direction of the new format of online treasure.

Sheng Changyan, a famous expert in cultural relics appraisal, is the executive director of the Folk Cultural Relics and Art Chamber of Commerce of the All-China Federation of Industry and Commerce, the executive deputy of the professional association of industry construction, the chief appraiser of the appraisal committee, and the special researcher of the Cultural Relics Museum of Peking University Institute of Resources and Cultural Relics.

journalistHow does Teacher Sheng view the opportunities brought by online treasures?

Sheng laoshi：The rise of online treasure collection provides a convenience for collectors, enabling them to access rich art resources without leaving home, which greatly promotes the popularization of art collection knowledge. At the same time, this new format has also injected new vitality into the antique art market and opened up new market space.

journalist：Teacher Sheng thinksWhat are the main problems in the live broadcast of online treasure?

Sheng laoshi：With the rapid development of online treasure live broadcast, a series of problems have also been exposed, such as some institutions or individuals who do not have professional qualifications and appraisal ability flooding into the online market for false propaganda to defraud consumers’ trust; As well as the phenomenon of digging antiques by live broadcast, it has seriously damaged cultural relics and violated laws and regulations.

journalistIn view of these problems, what do you think should be done to strengthen industry self-discipline and supervision?

Sheng laoshi：In my opinion, strengthening industry self-discipline and supervision should start with perfecting the legal system, strengthening industry supervision and self-discipline, enhancing public awareness and awareness of prevention, and innovating technical means to strengthen supervision. Specifically, it includes accelerating the improvement of relevant laws and regulations, and clarifying the boundaries and responsible subjects of live mining and identification; Establish and improve the industry supervision mechanism and formulate unified industry standards and norms; Popularize the knowledge of antique art appraisal through various channels and ways to raise the public’s awareness of prevention; Use advanced technologies such as big data and artificial intelligence to conduct real-time monitoring and data analysis of online live broadcast mining and identification activities.

journalistWhat’s your outlook for the future of online treasure?

Sheng laoshi：Although the new format of online treasure has encountered some problems and challenges in the development process, as long as we can face these problems squarely and take effective measures to solve them, we will certainly be able to promote the healthy and orderly development of this new format. At the same time, it also appeals to collectors to be vigilant and enhance their awareness of prevention.

journalistWhat plans does the All-China Folk Cultural Relics and Art Chamber of Commerce have to promote the healthy development of the antique art market?

Sheng laoshi：All-China Folk Cultural Relics and Art Chamber of Commerce and other industry organizations will strengthen contact and cooperation with the live broadcast, provide certification and guidance for the live broadcast room, and jointly promote the healthy development of the antique art market. I believe that with the joint efforts of all of you, the outstanding cultural relics and artworks of the Chinese nation will certainly be better carried forward and passed down.

journalistTeacher Sheng, you mentioned the opportunities and challenges brought by online treasure collection before. Can you talk about these opportunities and challenges in detail?

Sheng laoshi：Of course. First, let’s talk about opportunities. The rise of live broadcast of online treasures has indeed brought unprecedented opportunities to the antique art market. It breaks the geographical restrictions of the traditional market and makes it easy for collectors to get in touch with art resources from all over the country. At the same time, the live broadcast has greatly enhanced the interaction, allowing Tibetan friends to understand the details and characteristics of works of art more intuitively, which has played a positive role in popularizing the knowledge of art collection and improving the public’s art appreciation ability.

However, opportunities are accompanied by challenges. In the process of rapid development, the live broadcast of online treasure has also exposed a series of problems. Among them, the most prominent is false propaganda and misleading consumers. Some institutions or individuals who do not have professional qualifications and appraisal ability, in order to seek benefits, make false propaganda under the banner of "authoritative appraisal" and "expert control" to defraud consumers’ trust. This not only led to a large number of fakes being misjudged as genuine products, but also caused misleading and economic losses to Tibetan friends. It also seriously undermined the normal order of the market and endangered the development of regular cultural relics buying and selling enterprises and auction industry.

In addition, the phenomenon of excavating antiques by live broadcast is becoming more and more serious, which is also a problem that cannot be ignored. Some anchors broadcast live archaeological excavations without permission, and even stole ancient tombs, which seriously damaged cultural relics and violated laws and regulations. These behaviors not only harm the public interests, but also seriously affect the healthy development of the antique art market.

journalist: How do you think the industry should respond to these challenges?

Sheng laoshi：In response to these challenges, I think the industry should respond from the following aspects:

Strengthen the construction of laws and regulations: Improve the relevant laws and regulations, clarify the boundaries and responsible subjects of live broadcast mining and identification, and increase penalties for behaviors. At the same time, establish a supervision mechanism for online live cultural relics appraisal and ensure the standardized and orderly market order.

Improve industry self-disciplineThe antique art industry should establish and improve the industry supervision mechanism and formulate unified industry standards and norms. Strengthen the supervision of online live broadcast, and strictly review the live broadcast content and anchor qualification. At the same time, promote the construction of industry self-regulatory organizations, guide enterprises and individuals to consciously abide by industry rules, and jointly safeguard the industry image and market order.

Popularize appraisal knowledgePopularize the knowledge of antique art appraisal through various channels and ways to raise the public’s awareness of prevention. Encourage consumers to participate in online live broadcast activities and enhance their ability to judge the authenticity of cultural relics. At the same time, strengthen the protection of consumers’ rights and interests, and provide assistance and rights protection support for victims.

Innovative technical means: Real-time monitoring and data analysis of online live broadcast mining and identification activities are carried out by using advanced technologies such as big data and artificial intelligence. The establishment of cultural relics information database and expert database, to provide convenient and accurate identification services for the public. At the same time, strengthen cooperation with public security, network information and other departments to form a joint force to crack down on behavior.

journalistWhat are your expectations for the future of online treasure?

Sheng laoshi：I am cautiously optimistic about the future of online treasure. I believe that with the joint efforts of the industry, we can overcome the current challenges and promote the healthy and orderly development of this new format. At the same time, I also hope that the vast number of collectors can maintain a rational and cautious attitude, be vigilant and avoid being deceived. Only in this way can we jointly maintain a healthy and prosperous antique art market.

journalistWhat specific development trends do you think this industry will have in the next few years?

Sheng laoshi：This is a very good question. In my opinion, in the next few years, the online treasure live broadcast industry will present the following development trends:

Specialization and subdivisionWith the gradual maturity of the market, the live broadcast of online treasures will become more and more professional, and works of art in different fields and styles will be more carefully divided and displayed. At the same time, anchors and broadcasters will pay more attention to their own professionalism and authority, and attract and retain audiences by providing high-quality appraisal services and content.

Technology integration and innovationWith the continuous development of big data, artificial intelligence and other technologies, these technologies will be more applied to the live broadcast of online treasures. For example, rapid identification and authenticity judgment of artworks can be achieved through AI technology, or VR/AR technology can be used to provide viewers with a more immersive viewing experience. The integration and innovation of these technologies will bring new development opportunities for the live broadcast of online treasures.

Strengthening supervision and self-disciplineIn view of the chaos in the current live broadcast of online treasures, I believe that the supervision and self-discipline will be further strengthened in the future. And related institutions will introduce stricter regulations and regulatory measures to crack down on behavior. At the same time, the industry will also strengthen self-discipline and promote the establishment of more perfect industry standards and norms.

Consumer education and protectionWith the popularization of live broadcast of online treasures and the improvement of consumers’ cognition, consumers will pay more attention to their own rights protection and knowledge accumulation in the future. Therefore, strengthening consumer education and protection will become one of the development directions of the industry. By providing rich educational resources and establishing convenient channels for safeguarding rights, we can help consumers better understand the art market, enhance their appreciation ability and protect their own rights and interests.

journalistWhat role do you think industry organizations can play in promoting the healthy development of online treasure?

Sheng laoshi：Industry organizations can play a very important role in promoting the healthy development of online treasures. Specifically, I think trade organizations can start from the following aspects:

Formulate industry standards and normsIndustry organizations can take the lead in formulating the industry standards and norms of online treasure live broadcast, and clarify the requirements of live broadcast content, anchor qualification and identification process, so as to provide clear guidance and norms for the industry.

Strengthen supervision and self-disciplineIndustry organizations can strengthen the supervision of the live broadcast of online treasures and supervise and crack down on behaviors. At the same time, promote the construction of industry self-regulatory organizations, guide enterprises and individuals to consciously abide by industry rules, and jointly safeguard the industry image and market order.

Provide education and trainingIndustry organizations can organize relevant education and training activities to improve the professional quality and appraisal ability of anchors and broadcasters. At the same time, it can also provide consumers with knowledge popularization and training in art appreciation and rights protection.

Promote exchanges and cooperationIndustry organizations can promote the exchange and cooperation between live broadcasts of online treasures, share experiences and resources, and jointly promote the development of the industry. At the same time, we can also establish cooperative relations with departments and scientific research institutions to jointly explore new development opportunities and models.

journalistTeacher Sheng, do you have any other unique views or suggestions about this industry?

Sheng laoshi：Of course, in addition to what I mentioned before, I think there are still some points worthy of attention.

First of all, I want to emphasize the dissemination of cultural values. The live broadcast of online treasure is not only one, but also a channel to spread culture and promote art. During the live broadcast, we should pay attention to excavating and displaying the cultural stories and historical values behind artworks, so that the audience can appreciate the profoundness of Chinese culture while enjoying the artworks.

Secondly, cross-border cooperation is also a direction worth exploring. Online Jianbao live broadcast can cooperate with tourism, education, culture and other fields across borders to jointly create distinctive cultural products and tourism projects. For example, online and offline art appreciation activities can be organized, or special exhibitions and lectures can be launched in cooperation with museums and art galleries to attract more people’s attention and participation.

In addition, data security and privacy protection are also issues that cannot be ignored. In the live broadcast of online treasure, a lot of personal information and data are involved. Therefore, we should strengthen the awareness of data security and privacy protection, and take necessary technical measures and management means to ensure that the security and privacy of user information will not be leaked.

Finally, I would like to give some advice to practitioners: continuous learning and promotion. The live broadcast of online treasure is a rapidly developing industry, and new technologies and modes are constantly emerging. As practitioners, we should keep an open mind and keep learning, and constantly improve our professional quality and innovation ability. Only in this way can we be in an invincible position in this highly competitive market.

journalistThank you very much for sharing these insights and suggestions. For the vast number of collectors and practitioners, this is undoubtedly a valuable asset.

Sheng laoshi：You’re welcome. I’m glad to share my views and suggestions with you. I hope these views can be helpful to everyone, and I also hope that the live broadcast industry of online treasure can develop more and more standardized and healthily.

journalistTeacher Sheng, the point you just mentioned is very forward-looking, which gives us a deeper understanding of the future of online treasure live broadcast. Then, in your opinion, what other directions or prospects for deepening exploration are worthy of our attention?

Sheng laoshi：Thank you very much for your question. Indeed, as a field that combines traditional culture and modern technology, there are still many directions worthy of further exploration and exploration.

First of all, personalized and customized services will be a highlight of the future network treasure live broadcast. With the increasing diversification of consumer demand, providing personalized art recommendation and customized appreciation service will become the key to attract users. Analyzing users’ preferences and historical behaviors through big data can provide users with more accurate and intimate services and enhance users’ stickiness and loyalty.

Secondly, the application of technology will also bring revolutionary changes to the network treasure. Technology is decentralized and cannot be tampered with, which makes it an ideal tool for art traceability and anti-counterfeiting. By linking the identification information and records of works of art, we can ensure the truth and integrity of the information and provide a more transparent and credible environment for the art market.

Furthermore, international cooperation and communication will also become the development trend of online treasure live broadcast. With the acceleration of globalization, the internationalization of the art market is getting higher and higher. The live broadcast of online treasures can actively seek cooperation with international art markets, museums, auction houses and other institutions to jointly promote the transnational exchange of works of art and provide users with more diversified choices and opportunities.

Finally, social responsibility and public welfare should also be actively undertaken by the live broadcast of online treasure. By organizing art public welfare activities and supporting cultural heritage protection, we can actively fulfill our social responsibilities, transmit positive energy, and enhance our brand image and social influence.

journalistThese directions you mentioned are very forward-looking and innovative, which makes us full of expectations for the future of online treasure live broadcast. So, in your opinion, what conditions or support are needed to realize these directions?

Sheng laoshi：The realization of these directions really needs support and efforts in many aspects. First of all, it needs policy support and supervision guidance from relevant institutions to provide a stable environment and market environment for the development of the industry. Secondly, it is necessary to increase investment in technological innovation and research and development with enterprises, and constantly improve their own technological strength and innovation ability. At the same time, it is also necessary to strengthen cooperation and exchanges within the industry to jointly promote the development and progress of the industry. Finally, we need the support and participation of users, and constantly improve and optimize our services and functions through users’ feedback and suggestions.

journalistFinally, what do you want to say to collectors and practitioners?

Sheng laoshi：What I want to say is that as a new industry, the live broadcast of online treasure is facing many challenges and problems, but it also contains great opportunities and development potential. As collectors and practitioners, we should keep a rational and cautious attitude and constantly improve our professional quality and appreciation ability. At the same time, we should actively support and participate in the healthy development of the industry, and jointly promote the live broadcast of online treasures to a more prosperous and standardized future.

journalistThank you very much for sharing and discussing today, which makes us have a clearer understanding and expectation of the future of online treasure.

Sheng laoshi：You’re welcome. I’m also glad to share my views and suggestions with you. It is hoped that the online treasure industry will continue to develop and progress, bringing cultural and artistic enjoyment to more people. At the same time, I also expect you to continue to pay attention to and support this industry and jointly promote its prosperity and development.

Disclaimer: The market is risky, so you should be careful when choosing! This article is for reference only, not as a basis for trading.

Article complaint hotline: 157 3889 8464 Complaint email: 7983347 16@qq.com.

Palm oil bottom support is strong

Although there are still uncertainties in macroeconomic policies, and it is expected that the increase in imports in the second quarter will also have a negative impact on the palm oil market, palm oil, as an agricultural product, is relatively less affected by policies and more affected by fundamental factors. It is expected that palm oil in the market outlook will oscillate upward under the support of good economic recovery momentum, serious upside-down prices of internal and external markets, the arrival of the peak consumption season and dry weather.

　　In 2009, the domestic oil market as a whole went out of an oscillating upward trend. However, palm oil and soybean oil, the two most active oil varieties, reached the highest point in the year in early December 2009. In early 2010, under the influence of negative factors such as the increase of the deposit reserve ratio by the central bank of China and the debt problem in the euro zone, the futures price began to fall sharply, reaching 8.1% and 8.6% respectively in just one month, and in 2010, it was "black". However, since February, driven by the sharp rise in the futures price of crude oil in the outer disk, soybean oil and palm oil have bottomed out, and by the end of February, the futures price has rebounded by 50% of the decline in January. The trend in February boosted the confidence of market investors and made more investors place higher expectations on March. However, after the national macro data was released on March 10th, both CPI and PPI unexpectedly increased by a large margin year-on-year, the expectation of the central bank to raise interest rates was further enhanced, and the market suffered a panic decline. On this day alone, the palm oil P1009 contract fell by more than 1%. At present, although there are some signs of stabilization in the market, the confidence of market investors has not been effectively restored. How will palm oil develop in the later period? Through the analysis of macro and fundamentals, the author finally draws the conclusion that the price of palm oil has stabilized at present and is expected to oscillate and rise in the later period.

　　First, China’s economic recovery momentum is improving, but the interest rate hike is expected to increase.

　　On March 11th, the National Bureau of Statistics released the main macroeconomic data in February, most of which showed an increase compared with the same period of last year, indicating that the economic recovery momentum in China was still good. For example, from January to February, China’s urban fixed assets investment increased by 26.6% year-on-year, and the total retail sales of consumer goods increased by 17.9% year-on-year. Both investment and consumption showed that the momentum of China’s economic recovery was better than expected. And from January to February, the added value of industrial enterprises above designated size increased by 20.7% year-on-year, and the growth rate was 16.9 percentage points faster than that of the same period of last year, indicating that the industrial recovery momentum is good.

　　However, surprisingly, the ex-factory price of industrial products rose by 4.9% from January to February, of which the ex-factory price of industrial products rose by 5.4% in February, 1.1 percentage points higher than that in January. From January to February, consumer prices rose by 2.1% year-on-year, of which consumer prices rose by 2.7% year-on-year, 1.2 percentage points higher than that in January and 1.2% higher than that in the previous month. PPI rose by 4.9% year-on-year, exceeding the market expectation range of 4.4%-4.7%, while CPI rose by 2.7% year-on-year, exceeding the market expectation range of 2.0%-2.5%. In February, the CPI rose sharply year-on-year, partly because of the influence of consumption and climate factors during the Spring Festival, and the increase in some food prices caused by heavy snow before the Spring Festival. However, the year-on-year growth rate of 2.7% still exceeds the highest value of 2.5% generally expected by the market. The year-on-year increase of CPI value exceeded expectations, which challenged the goal of preventing inflation and ensuring growth this year, and also enhanced the expectations of market investors for the central bank to raise interest rates in the second quarter, which suppressed the confidence of market investors to do more.

　　Second, the price of internal and external disks is seriously upside down, and there is a demand for compensatory growth in the later stage of palm oil.

　　In 2010, the upside-down trend of spot price of palm oil in the internal and external markets has intensified. At present, the spot price of palm oil in Malaysia is 625 yuan/ton higher than the domestic price. Generally, the price difference between the internal and external markets will decrease from April to July, so there is a high room for domestic palm oil prices to rise in the later period.

　　Malaysia’s palm oil exports will show a seasonal growth trend after March and April.

　　In the second quarter of each year, Malaysia’s palm oil exports basically showed an increasing trend, mainly due to the warmer weather and the emergence of the alternative advantages of palm oil, which will boost the palm oil price during this period.

　　Fourth, the dry weather led to a decline in palm oil production and boosted palm oil prices.

　　Recently, the dry weather in the main palm oil producing areas in Malaysia has intensified. According to the news released by the Ministry of Hydraulic Irrigation of Malaysia on its website, due to the influence of dry weather, the water levels of two rivers in Johor province, Sungai Muar and Sungai Benut, have dropped to "dangerous" levels, and these two rivers are the main rivers that irrigate plantations in this area. According to the forecast of the Malaysian Meteorological Bureau, the dry weather in parts of Malaysia’s main island and Sabah province is expected to last until May, and there will be no rain at all in the coming week. This may lead to a reduction of plantation output in this area by about 15%. Sabah province is the most important palm oil producing area in Malaysia, and a quarter of the national output comes from this area. In February, the palm oil production in Sabah province decreased by 15.7% compared with that in January, falling below 400,000 tons. It is expected that the palm oil production in Malaysia may decrease by 10% compared with that in February, which may lead to a sharp decrease in palm oil production this year. In 1983, 1987, 1992 and 1998, due to the influence of dry weather, the palm oil yield in Malaysia decreased by 10%, 23%, 1.4% and 17% respectively compared with the previous year. In addition, the Malaysian government is still implementing the oil palm tree replay project this year, which also means that the palm fruit harvest output will decline, thus affecting the Malaysian crude palm oil output. It is estimated that Malaysia’s crude palm oil production will decrease by 2.3% this year to about 17.2 million tons, which will boost palm oil prices.

　　Palm oil imports remained at a high level in the fifth and second quarters, which had a negative impact.

　　Judging from the situation of palm oil imports in China, except for the global financial crisis in 2008, palm oil imports in other years showed an increasing trend from April to June. Recently, according to the forecast of National Grain and Oil Information Center, the monthly palm oil import in China is expected to stabilize at 500,000-600,000 tons from April to June. At present, the port inventory of palm oil is still very large, and by the end of February, the inventory is about 500,000 tons, which has a certain suppression effect on the price of palm oil.

　　6. Technically, palm oil is expected to oscillate upward.

　　From a technical point of view, the palm oil futures price is supported around 6800, and it is strongly supported around 6500, but the pressure around 7000 above the futures price is relatively high. If the futures price can successfully break through 7000, it is expected to go up to the first target of 7400 in the later period; If you can’t effectively break through 7000, call back to 6500 at most.

　　Based on the above analysis, the author thinks that palm oil, as an agricultural product, will be less affected by policies and more affected by fundamental factors, despite the uncertainty of macro policies and the negative impact of the increase in palm oil imports in the second quarter. Therefore, the author believes that palm oil prices are expected to oscillate and rise in the later period. Investors can now pay attention to buying opportunities in the range of 6800-6900.

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Equipped with Wuling automobile engine, 89,800 Xiti Wuling Binguo PLUS.

I don’t know if you know anything about what is introduced today. Let’s take a good look at it.

Let’s take a look at the appearance of Wuling Bingo PLUS. The front face of Wuling Bingo PLUS is very sharp and looks very solid. Coupled with the headlights, the exquisiteness of the whole vehicle has been greatly improved. The car is equipped with LED daytime running lights, automatic opening and closing, etc. Come to the side of the car, the car body size is 4090MM*1720MM*1575MM, the car uses cold lines, the side looks very individual, with large-sized thick-walled tires, the overall visual effect is very clean. Looking back, the rear of the car looks full, the taillights look very clean and the shape is simple.

Sitting in the car, the interior style is very cute and the visual effect is very good. The steering wheel design of the car is very individual, made of leather, and has a good grip. Take a look at the central control, and decorate it with a 10.1-inch central control screen, which makes the interior style impressive and conforms to the mainstream aesthetics. The dashboard and the seat are equally eye-catching, the dashboard design is remarkable, and the shape has taken the sports route. The car uses a leather/suede mix seat, which is wide and thick, and the overall comfort is acceptable.

Wuling Bingo PLUS matched gearbox, 75KW, 180N.m, with good power performance.

The car is equipped with driving mode selection, remote control key, Bluetooth key, rear wiper, traction control (ASR/TCS, etc.), Bluetooth /WIFI connection and other configurations, which is quite rich in functions, which is undoubtedly very friendly to drivers.

Such a car with the right price is enough to meet the daily practical needs, and it doesn’t take much thought to maintain it at ordinary times, and the cost performance is good. Today, you can go to the 4S shop to experience this car.

Qingdao Blue Electric E5 price reduction news, special offer 99,800! Limited time special offer

Welcome to the Autohome Qingdao preferential promotion channel, bringing consumers the latest and noteworthy preferential information. At present, the popular model we recommend to you – is giving back to consumers’ love with practical actions, and is carrying out a promotion with great intensity. In Qingdao area, car buyers can enjoy a cash discount of up to 40,100 yuan, making this model, which was originally priced between 99,800 and 140,900, now the minimum starting price has been reduced to an attractive 99,800 yuan. This discount range undoubtedly provides an excellent opportunity for friends who are interested in buying Blue Electric E5 to buy a car. To seize this rare discount opportunity, please click "Check Car Price" in the quotation form, let us explore more benefits and create your ideal driving experience together.

青岛蓝电E5降价消息，特价9.98万！限时特惠

The exterior design of the blue electric car series E5 is very modern and technological. Its front face adopts a unique air intake grille layout with smooth lines, which not only enhances the visual impact of the vehicle, but also optimizes the aerodynamic performance. The overall style is exquisite and dynamic, integrating future design concepts, showing the persistent pursuit of detail and aesthetics of the blue electric E5.

青岛蓝电E5降价消息，特价9.98万！限时特惠

The Blue Electric E5 presents a modern feel with its exquisite body design and smooth side lines. The body size is 4760mm x 1865mm x 1710mm, and the wheelbase reaches 2785mm, which makes the interior space layout of the vehicle more reasonable. The front and rear wheel tracks are 1585mm and 1580mm respectively, ensuring the stability and balance of the vehicle. The tire size is 225/55 R18. Whether it is the front or rear wheels, the same specifications are selected, and the elegant wheel rim style is combined to create the unique appearance aesthetic of the Blue Electric E5.

青岛蓝电E5降价消息，特价9.98万！限时特惠

The interior design of the Blue Electric E5 is dominated by simplicity and technology, showing a refined and practical style. The steering wheel is made of leather material, which is delicate to the touch and supports manual up and down adjustment to adapt to the driver’s needs. The center console is equipped with a large 12.3-inch central control screen, which integrates multimedia systems, navigation, telephone, air conditioning and sunroof control, providing drivers with comprehensive information and convenient operation. The seat part is made of imitation leather material, which makes it comfortable to sit and wear-resistant. The main and passenger seats support front and rear adjustment, backrest adjustment and high and low adjustment to meet the individual needs of different drivers and passengers. The rear seats provide backrest adjustment function and support proportional reclining, which makes space utilization flexible. The overall interior design emphasizes both functionality and detail, creating a warm and efficient driving environment.

青岛蓝电E5降价消息，特价9.98万！限时特惠

The car series Blue Electric E5 is equipped with a 1.5L displacement L4 engine, which has a maximum power of 81 kilowatts and a maximum torque of 135 Nm. It is matched with an advanced E-CVT continuously variable transmission, providing excellent performance and fuel efficiency for the vehicle.

Summarizing the evaluation of Autohome owners, the Blue Electric E5 won his admiration for its atmospheric and fashionable appearance and powerful lines, especially the domineering exposed air intake grille, which undoubtedly added a unique charm to this model. This is not only a bright spot in appearance, but also a manifestation of its inherent strength, making people look forward to the driving experience of the Blue Electric E5.

How much is a 2021 Honda CRV？ 150,000

In the automotive market, Honda CR-V, as a high-profile compact SUV model, has won the favor of many consumers with its excellent tire configuration and performance. For its price, we might as well explore it together.

本田CRV

  1. The 2021 all-new Honda CR-V offers a variety of configurations, and the official price guide is between 169,800 yuan and 276,800 yuan. As for the price, according to the data of Auto Encyclopedia, the lowest configuration model – the manual two-wheel drive classic version, after a discount, the price of the naked car is only 154,800 yuan. This price is very competitive and cost-effective.
  2. If we want to calculate the landing price of the Honda CR-V, in addition to the bare car price, we also need to consider other expenses. The purchase tax is 13,699 yuan, plus the registration fee of 500 yuan, the vehicle and vessel use tax of 350 yuan, and the compulsory traffic insurance is 950 yuan. For comprehensive protection, the commercial insurance is about 5,994 yuan. Combining these elements, we can get that the total landing price of the Honda CR-V is 176,200 yuan.
  3. The Honda CR-V is not only affordable, but also has excellent power performance. The new model is equipped with a 1.5T turbocharged engine, with a maximum output of 142 kilowatts and a torque of 243 Nm. With the CVT continuously variable transmission, it performs quite rapidly at 100 kilometers of acceleration, only about 9 seconds. This undoubtedly provides the driver with a smooth and dynamic driving experience.

To sum up, the Honda CR-V, with its affordable price and excellent performance, is undoubtedly a cost-effective choice in the compact SUV market. If you are looking for an SUV that is both affordable and high-performance, the Honda CR-V is definitely worth considering.

Zhao Liying’s postpartum debut has been set! The studio officially confirms the comeback time

On August 2, a brand posted on the social platform that Zhao Liying was about to meet with everyone, and then Zhao Liying Studio forwarded the article, confirming that on August 22, she attended a brand event and officially announced Zhao Liying’s postpartum resumption time.

Zhao Liying officially announced her marriage in October 18 and announced her birth in March this year. During this period, she has rarely made public appearances. She made her first public appearance at the airport after giving birth on July 16 and has regained her slender figure.

The official announcement of the resumption of work at the studio also made fans very excited, and they left messages saying: "I haven’t seen you for a year, and finally on August 22, my sister came out" and "20 days countdown".

The police film ＂The Informer＂ is completed, and the roles of Nicholas Tse and Zhang Jiahui are reversed


Group photo of the main creator of "The Informer"


Nicholas Tse


Zhang Jiahui


Guilun magnesium

　　　　　　　 The annual police and bandit blockbuster "Informant" recently completed the final scene of filming in Tsim Sha Tsui, Hong Kong and held a grand shutdown ceremony. Director Lin Chaoxian, starring Nicholas Tse, Zhang Jiahui, Kwai Lunmei, Lu Yi, Liao Qizhi, Chung Schumann, Wu Haokang and other actors celebrated the smooth shutdown of the film. It is reported that this police and bandit action blockbuster that has surpassed "Witness" may be released in the mainland and Hong Kong at the same time next summer. It is reported that Huayi Brothers is very confident in this schedule. Wang Zhonglei, president of the company, said: "’Informant’ will be an iconic Chinese genre film. The Emperor came to us because of Huayi’s ability to create high-quality blockbusters. We will wait and see how it performs in the mainland market."

Huayi Brothers pointed to 2010, creating an "unconventional police and bandit action movie"

　　　　　　　 The first three films ("Love in the City", "Informant", and "High School Musical") were in the three genres of love, police and gangsters, and youth, and they cooperated with 20th Century Fox, Emperor, and Disney respectively. There is no doubt about the international production ability.

　　　　　　　 "The Informer" was co-created again by the original cast of "Witness". Director Lin Chaoxian led Nicholas Tse, Zhang Jiahui, Gui Lunmei, Lu Yi, Nursery, Zhong Shuman, Liao Qizhi and others to perform a new police and bandit story. Not only did the action scenes escalate significantly, but the plot also took a 180-degree turn. While Nicholas Tse wants to change from a police officer to a bald gangster, Golden Horse actor Zhang Jiahui is the opposite. He has to change from a cold-blooded killer to an upright police officer. The nursery who plays the "vegetable" in "Witness" will still play a husband and wife role with Zhang Jiahui. Lu Yi plays the gangster leader who is alert and sharp, and is the boss of Nicholas Tse. Huayi Brothers said that the storyline of "The Informer" is more exciting and complex than "The Witness", and the scene is also more huge, and it is guaranteed to be an "extraordinary" police and bandit action movie that audiences in mainland China, Hong Kong and Taiwan cannot stop.

Shooting on the busy streets of Tsim Sha Tsui, many citizens stopped to watch

　　　　　　　 The filming of "The Informer" is located in a street-facing shop on Chatham Road, Tsim Sha Tsui, Hong Kong. The crew specially surrounded a black curtain to protect the actors. Nicholas Tse, Lu Yi and others staged a good show of tracking and anti-tracking inside. It is reported that this scene, which is now in ruins, is the bank "built" by the crew before. When shooting the bank robbery scene in broad daylight, it also attracted many citizens to watch because of its huge momentum. But after some "smashing and looting", blasting and crashing, it is already a piece of rubble. Now there is no need to send out nearly 100 extras to act as passers-by when filming small-scale literary dramas, because roadside pedestrians quickly formed a crowd of onlookers after discovering that Nicholas Tse and others were filming in the house.

　　　　　　　 Lin Chaoxian, the director, says the biggest difference between "The Informer" and "The Witness" is that "The Informer" is heavier, "driving almost every actor crazy." After filming "The Informer," Nicholas Tse, who will be promoted to his father again, will soon go to the mainland to star in "New Shaolin Temple" jointly produced by Huayi Brothers and China Film, while Lu Yi, who will make his debut as a gangster leader, will appear in "Tangshan Earthquake" later.

Actor interview

Nicholas Tse: "My rhythm with Jiahui is like falling in love and dating"

　　　　　　　 From "October Siege" to "Love in the City" to "The Informer", Nicholas Tse’s movies in recent years are all ordinary characters. The word "informant" also refers to Nicholas Tse. As the middleman who sells information, he is a young man and a driver. Other than that, he is no longer exceptional. In the film, he is constantly beaten and often encounters gang fights. "The physical challenge is more difficult. Jumping out of the undead hero is to give everyone another feeling."

　　　　　　　 "The biggest attraction for me was working with the whole cast," Tse said of working with Zhang Jiahui and Kwai Lunmei. "My rhythm with Ka Hui is like falling in love and dating, and Kwai Lunmei is a dedicated actor I rarely see."

Zhang Jiahui: "I really want to shoot Feng Xiaogang’s play"

　　　　　　　 Zhang Jiahui, who has won six best actor titles with his excellent performance in "Witness", will naturally encounter the problem of whether there will be a greater breakthrough when he starred in the "sequel" "Informant". In this regard, Zhang Jiahui said: "I will not start work to win awards. The characters in’Informant ‘, I believe you have not seen in Zhang Jiahui’s films for so many years."

　　　　　　　 Once again playing the nursery of Zhang Jiahui’s wife in the film also left a deep impression on Zhang Jiahui. "Although she doesn’t have many scenes, she has scary behavior every time she appears, which is very scary. During the process of filming, I really want to see the whole film tomorrow." Seeing the director’s full-hearted performance also made him look forward to the completion of the film.

　　　　　　　 Zhang Jiahui revealed that there will also be an old song that "startled" everyone in the film: "I heard that song when I was one or two years old, and all the people in Hong Kong were crazy. Now the lyrics are so moving, bringing out a lot of good and bad life. Sometimes when we shoot a scene without lines on the set, the director will deliberately put it out, and the effect is really…" As for which song it is, Zhang Jiahui said it is a first-class secret. Finally, Zhang Jiahui said that although he has been promoted to the best actor, there are still many areas of performance that have not been touched. What he wants to do most is to cooperate with many big-eyed people with ideas, such as Feng Xiaogang, Cao Baoping and Ning Hao.

Lu Yi: "Gui Lunmei brought Nicholas Tse to make my opposite"

　　　　　　　 Lu Yi, who played the robber for the first time and is the boss, praised the role in "The Informer" this time, saying that he was "handy" in the role. In the film, he is ruthless but witty. "This character is very interesting, and he doesn’t look like a typical underworld boss, but if anyone wants to give more money, he will ask another group of people to kill him and give them the money. In the end, I was betrayed by both brothers and women, and Gui Lunmei brought Nicholas Tse to make me the opposite." Speaking of the relationship between Gui Lunmei and Gui Lunmei in the film, Lu Yi said that "the most violent one is her". It is her who quarrels and breaks up. "This inner drama is the hardest. There is still work to do while abandoning her."

Takeaway orders plummet？ Didi： No basis, the number of users is growing steadily

　　[Global Network Technology Comprehensive Report]Recently, in response to the outside world’s news about the "sudden drop in Didi takeaway orders", Didi responded that there is no basis for the 50% drop in orders. In fact, the current number of users of the Didi takeaway platform is growing steadily.

　　The relevant authorities have stopped subsidies, and the entire industry has been affected. It is normal for many food delivery platforms to have short-term changes in orders. Didi is planning to open a batch of new cities and will soon recruit riders in new cities.

　　It is understood that on April 9, Didi takeaway was officially launched in Wuxi, Jiangsu. On the first day of the launch, the order reached 334,000 orders, becoming the first takeaway platform in Wuxi market share. On April 12, Didi takeaway official Weibo released 9 posters today, saying that the national city is about to open. After that, Didi rider client side updated, in addition to Wuxi, it added eight cities of Nanjing, Changsha, Fuzhou, Jinan, Ningbo, Xiamen, Wenzhou and Chengdu.

　　For consumers, Didi Takeaway once launched various attractive prices and subsidies, and Meituan and Ele.me also joined the "subsidy war" one after another. All kinds of incredible screenshots of takeaway prices have swept the Moments of Wuxi people. Song Hongwei, head of national offline operations of Didi Takeaway, said: "We definitely hope to give consumers short-term discounts. In the long run, we hope that consumers can choose the takeaway platform rationally and experience more value-added services and experience enhancements brought to them by Didi."

　　For the high subsidies in the takeaway market, some industry analysts have analyzed that high market subsidies can indeed gain a large market share in the short term, but the takeaway market is a basically parallel market, and the problems that can be solved in the short term, once stopped, the number of users who pick up wool will definitely decrease, and the market will definitely return to its essence. From the outside, Didi’s entry into the takeaway industry is more of a defensive approach, for Meituan’s threat to its position in the taxi market. The scale of the national catering market in one year exceeds 3 trillion, and the proportion of takeout is less than 10%. One more competitor is a benign competition for this market.　　　　　　　　　　

A comprehensive analysis of the Great Wall Gun technology, how to choose all the models？ (A) the birth of the Great Wall Gun

By [Yingxuan Automobile Studio] @ Engineering Woman’s Garage

Our pickup truck is the oldest model, which was born in 1996, earlier than SUV (the development of SUV Saifu began in 2001). It was Wei Jianjun who visited the United States and saw pickup trucks everywhere, so every household drove pickup trucks, so he made up his mind to make pickup trucks.

The first pickup truck was called Deere, which was not called "cannon" at first. At that time, Baoding had a pickup truck called Tian Ye, which had been made for four years, but it was not made. However, it is still very powerful. After Deer pickup truck was made, it reached an annual output of 13,200 as soon as it went on the market, basically dividing up the market of field pickup trucks, and the field pickup trucks disappeared.

What’s so powerful about this Deer pickup? It is the front and rear bridge of Hilux, hilux. This is a very classic and famous pickup truck in the whole off-road circle, with a displacement of 4.0 liters. How powerful is this pickup truck?

Many off-road images of cruel desert operations in the Middle East War confirmed the strength of its chassis, which was independent suspension of the front double wishbone and dependent suspension of the rear leaf spring. And part-time 4wd+rear differential lock. Especially durable, low torque and super torque. Take some bad roads and get out of trouble quite well. Later, Top gear did a program to violently test hilux, put it in seawater, then hit it with a big hammer, set fire to the roof and so on. Finally, it could open the car door and start the engine and drive away.

It can be said that the reputation of "not bad to drive" also has the credit of this car.

Later, another very famous off-road vehicle Fortuner Crossover was a hard-core SUV based on this chassis. Similarly, in addition to our domestic pickup trucks, the Middle East is now Hilux, hilux.

Having said that, that is to say, our pickup truck was first learned. OK。 Then the birth marks the end of this era of reverse imitation. At the 2019 Shanghai Auto Show, the name ""was released. It is said that this name also comes from the internal culture. Because we all know that it is militarized management, and we admire sword spirit very much.

When this brand-new platform for P71 pickup truck is independently developed by ourselves, it is a pickup truck platform that is fully developed. When we want to give a name to the new car, everyone thinks of "cannon". Pickups are now mainly divided into three series.

First of all, the low-end is the original Fengjun series, which is basically around 70,000 to 80,000. Then there is a relatively high-end fashion series, 100,000-140,000. There are passenger version, commercial version, off-road version, artillery and locomotive version. The passenger version and the commercial version are divided into two-wheel drive and four-wheel drive, and the diesel version is slightly more expensive than gasoline and diesel. There is also a tea king edition, which is equivalent to the highest diesel match. The size is also a little bigger. Off-road version is the concentrated version of all cutting-edge off-road technologies, and it is also the most bright version. It is divided into 4-5 versions according to off-road degree and gasoline and diesel. The artillery version is a cross-country toy version like the tank 300, and it mainly embodies individual play like the locomotive version.

In addition, there is a series of King Kong cannons, which is a more fashionable version based on the original Fengjun series, and the price is similar. Packed with a more beautiful exterior interior.

Please watch the next episode: comprehensive analysis of technology, how to choose all models? (2) Timely four-wheel drive

Investigation on the chaos of live broadcast with goods： Who is fishing in troubled waters？

　　BEIJING, Nov. 19 (Reporter Wu Tao) "It is said that Party A is the father, but in the live delivery industry, the anchor and MCN (new online celebrity economic operation mode) institutions are the fathers, and Party A is not even a grandson."

　　"Wang Han live rollover", "Li Xueqin live exposure" and "Simba was questioned to sell fake bird’s nest with goods" … … Recently, the contradiction between live broadcast anchors and merchants has become more prominent: on the one hand, live broadcast sales have been hitting record highs, and anchors have set up luxury cars and luxury homes; On the other hand, businesses are constantly screaming and being cheated, and the drama with a refund rate of 99% continues to be staged.

　　Then, who is fishing in troubled waters in the live broadcast of the feast with goods?

　　Data map. China News Service reporter Chen Yushe

　　"double 11" tore off the "underwear" with the live broadcast."

　　After "618", you have to prepare "double 11", which shows the importance of "double 11" to businesses. But some enterprises put all their eggs in one basket, happily preparing for live broadcast with goods, but sadly embarked on the road of safeguarding rights.

　　Recently, a merchant said in a circle of friends that on November 6th, the company’s store participated in a special live broadcast by Wang Han, an artist of Galaxy Stars Live Broadcasting Agency, with a broadcasting fee of 100,000 yuan. On that day, 1,323 sets were sold, and 1,012 sets were refunded, with a refund rate of 76.4%. During the live broadcast, due to a large number of multiple refund bills, it was also warned by the platform for false transactions.

　　It’s not only the host Wang Han who "overturned" the live broadcast, but also the bird’s nest that Simba, the live broadcast carrier, recently brought goods, was questioned as fake and looked like water; Li Xueqin, a popular talk show actor this year, was exposed that the live broadcast of "double 11" on a platform had 3.11 million viewers, but the real data was less than 110,000.

　　In fact, it’s not only the star network red, but also some "not bad money" big brothers will confuse the sales figures through Zhang Guan Li Dai when they bring the goods live.

　　For example, some media pointed out that Gree official micro showed on June 19th that the cumulative sales of five live broadcasts in Dong Mingzhu had exceeded 17.8 billion yuan. But in fact, on the day of "618", Dong Mingzhu only broadcast the goods for four hours, and 10.27 billion of the 17.8 billion yuan was the sales of Gree on the day of "618" for 24 hours, not the sales of Dong Mingzhu’s four-hour live broadcast.

　　The pit fee allows the anchor to make a steady profit.

　　For many disputes caused by the live broadcast of goods during the "double 11", Simba chose to recuperate; Li Xueqin participated in one activity after another, and the latest one was to attend an activity of Didi; Wang Han didn’t respond positively. He participated in the program "On the Stage! Dunhuang will be broadcast. The parties seem as if nothing had happened.

　　Galaxy Stars responded to "Wang Han Live Rollover with Goods". screenshot

　　However, Wang Han’s signing party, Galaxy Zhongxing, responded. Galaxy Zhongxing said, "This is fake". The company does not have any fictitious data or purchase traffic, but only helps the e-commerce platform account to do a live broadcast execution, and there is no need to brush the bill.

　　Is it really unnecessary? In the eyes of some people in the industry, if only a few people watch a celebrity live broadcast with goods, the input and output are seriously disproportionate, I believe no one will throw money at him or her next time.

　　According to the reporter of Zhongxin. com, celebrity live broadcasts now generally have pit fees, ranging from tens of thousands to hundreds of thousands of yuan. According to the data disclosed by media reports, the merchants who exposed the above-mentioned live broadcast in Wang Han paid a pit fee of 100,000 yuan (broadcast fee).

　　Screenshot of a self-service order brushing platform.

　　Some insiders pointed out that some MCN organizations or anchors will deliberately create sales and create a feeling of "bringing goods very much", and then they will have to pay for the pit, and some even specialize in "killing young business". "In recent years, MCN institutions have developed morbidly."

　　"This is a sure-fire business." For example, the pit fee is 100,000 yuan. If there are 10 brands on the spot, the pit fee will total 1 million yuan regardless of product sales. At the same time, the cost of brushing the bill is extremely low, and the anchor or MCN organization can achieve "drought and flood protection".

　　Watching the live broadcast with you may all be robots.

　　According to a survey conducted by a reporter from Zhongxin. com, you can brush 100 "machine powders" to watch data in the live broadcast of Tik Tok for up to 2 hours only by spending 70 yuan. In Taobao live broadcast, 120 yuan can buy 10,000 pieces of machine powder to watch the data.

　　There is also cheaper. A brush supplier contacted by Zhongxin.com reporter introduced that 10 yuan can buy 20,000 plays +88 real people like it; 158 yuan can have 1580 real likes+150,000 plays +180 reposts +68 real comments. Packages are available at all price points.

　　Quotation list (part) provided by a brush supplier.

　　According to media exposure, in the above-mentioned live broadcast in Li Xueqin, most of the comments of the "fans" who interacted with Li Xueqin in the comment area were made by machines.

　　Why does Party A still do live broadcast with goods?Stupid??

　　It is not difficult to find that in order to reap the dividends of live broadcast, some anchors and MCN institutions are doing everything they can, but the problem is coming? Are merchants so stupid and willing to be slaughtered lambs?

　　Chen Yuan (pseudonym), the person in charge of the live broadcast of a jewelry chain brand, told the reporter of Zhongxin.com that during the epidemic, the offline stores of their brands were greatly affected, and the company closed almost 20% of the stores. There was no other way out, only the online impact.

　　"Why did you choose live delivery? Because in the first half of this year, including Taobao live broadcast, it gave a lot of free traffic. And if you open an online shop, on Taobao, the traffic is very expensive, and you can’t afford to play according to the development model of ordinary advertising. Free traffic is an opportunity. "

　　The promotional video uploaded by users on the platform of Little Red Book. screenshot

　　However, with the development of live delivery, the traffic strategy of the platform is also changing. "Taobao live broadcast traffic is concentrated in the head. Tik Tok is more about supporting waist anchors and even amateur live broadcasts. It is not allowed for head anchors to control traffic all the time." Chen Yuan said.

　　That’s why some online celebrity’s last live broadcast burst into "I buy karma", and the next one will be "karma" directly. This is related to the influence of different strategies of the live broadcast platform.

　　"The company has this budget. In the original offline store, the annual rent of a store ranged from hundreds of thousands to millions of yuan. After closing the store, the money was saved." Chen Yuan said that the company is in the experimental stage anyway, or it is a kind of "conformity" mentality. When you pass by the street, it is difficult for you to control your eyes when others are looking up at the sky.

　　Live broadcast with goods revenue model or welcome change

　　Can the false prosperity supported by the brush list last long? The answer is obviously no. The reporter noticed that at present, some merchants have asked MCN organizations or anchors to cooperate in the drawing mode, that is, how many goods are sold to draw.

　　Screenshot of the report released by KPMG and Ali Research Institute.

　　A report jointly issued by KPMG and Ali Research Institute pointed out that due to the popularity of the live broadcast format and the relatively low barriers to entry, in recent years, there have been repeated negative news such as false propaganda of anchors and falsification of live broadcast data, which invisibly consumes consumers’ trust.

　　"However, the overall development of the live broadcast industry is improving." The above report predicts that the overall scale of live broadcast e-commerce will reach 1.05 trillion yuan in 2020, with a penetration rate of 8.6%; In 2021, the scale will be close to 2 trillion yuan and the penetration rate will reach 14.3%.

　　The live broadcast industry has also been exploring other revenue models. Zhang Chaoyang, Chairman and CEO of Sohu’s Board of Directors, recently said, "We turned the live broadcast into a live variety show to carry out new marketing activities, which attracted the attention of advertisers, so our brand advertising achieved an 8% growth in the third quarter."

　　Screenshot of official website of National Network Information Office.

　　Moreover, strict supervision is coming. On November 13, the National Internet Information Office publicly solicited opinions on the "Regulations on the Management of Internet Live Marketing Information Content Services (Draft for Comment)", and it is proposed that the operators of live broadcast rooms and live broadcast marketers should not publish false information to deceive or mislead users; Do not fabricate or tamper with data traffic fraud such as attention, page views, likes, and transaction volume.

　　Have you ever participated in live shopping? What do you think of the chaos of live shopping?