标签： 2021上海spa店推荐

Special feature of 1905 film network The third part of the series "Ghost Blowing Lights"KunlunjingongAfter a lapse of one year, it finally went online.

The three "touch the gold captain" played by, are assembled again, except for the former director, the others are still the original formula, ensuring the same "taste".

After four episodes were broadcast in the first week of the series, Douban scored a high score of 8.2 directly, and then rose by 0.1 points, making it the highest-rated one-season series at present.

The most exciting thing for both the drama powder and the original powder is that the South China Sea Return to the Market, which is currently being filmed, is still starred by this group of "iron triangles".

The super IP of "Ghost Blowing Lights" has been adapted into several versions in the past. Movies, dramas, online movies and even stage works have different reputations, but this version alone can always get everyone’s infinite expectations.

Only at present, the online drama "Kunlun Temple of God" has been criticized by netizens in various ways. I don’t know if it will affect everyone’s feelings of watching the drama, which will lead to the change of the drama score.

It is undeniable that the whole series of Ghost Blowing Lights can maintain a unified creative team, which is already the best case result for various IP-adapted series of works.

What’s good about Kunlun Temple?

Only four episodes have been broadcast, why can "Kunlun Temple of God" be directly recognized by 8.3 points?selfLongling Mystery CaveSince then, this series has always done its utmost to restore the original works.

Regardless of the content of surprise and adventure, the gag of the iron triangle has always been the main attraction in the original book. In this series, these contents have been preserved as much as possible. Especially after the running-in of the first two works, the tacit understanding among the three actors, Pan Yueming, Yuqi Zhang and Jiang Chao, has already been highly adapted to the roles.

At the beginning of Kunlun Temple, the interaction between the three directly drew the audience back to this relationship.

Although it is a series of dramas, Kunlun Temple of God has not designed too many thresholds for watching dramas, which can make the audience who come into contact with this IP for the first time naturally close to it. For the audience who came along with Longling Cave, they can easily find the first two eggs in this work.

What is the Kunlunjingong about?"Iron Triangle" inYunnan Worm ValleyDuring the experience, I found a bead of dust — — Legend has it that they were infected with erythema for some reason in Longling Cave. But they didn’t know how to use the life-saving artifact. Hu Bayi remembered his early experience as a soldier in Kunlun Mountain. At this time, shirley Yang found trace elements in the dust beads through scientific instruments.

So, the trip to Tibet started. The main line of the story is very simple, but all kinds of experiences on the way to adventure add excitement to the whole story.

This has to be compared with the level of the two previous works, Longling Cave and Yunnan Worm Valley.The former scored 8.1 points so far, while the latter scored only 6.1 points, barely passing. The problem that causes the big difference between the two seasons lies in the adaptation itself.

Although the first two works are close to the original works in adaptation, they are still often criticized by writers for making various additions without reason. The beauty of the series Ghost Blowing Lights lies in how the "Iron Triangle" helps each other to overcome various difficulties. However, in the adaptation of the series, in order to promote the development of the story, a wave of opposites is added for no reason to complete the adventure process together.

Longling Cave is relatively good, because the characters Ma Dadan and Li Chunlai, who only "live" in the oral part of the original work, have become the villains who run through the whole situation, completing the contradiction and confrontation in the drama.

Moreover, for a drama series with adventure action theme, Longling Cave adjusts the order of "going to the tomb", ensures the flow and three-act structure of the drama, and enriches the content of the original work.

Under this adaptation, although many fans still spit out and even expressed their dissatisfaction, from the perspective of a wider audience, this twists and turns of the story still fits the current rhythm of watching the drama.

When it comes to "Yunnan Worm Valley", this creative way of increasing characters has not been restrained because of the fans’ previous spit, on the contrary, it has intensified.

In this season’s story, many villagers who have nothing to do with the original work have been added, which makes the rhythm of the story more protracted. The advantages of the adaptation of the previous work have not been continued. On the contrary, the story is simply told in a flat way, which makes the whole story look bleak and powerless, makes the wonderful story in the original work more dull, and makes the suspense and tension even more difficult to find.

Not only that, the relationship between the "iron triangle" is not as interesting as when the previous work was just assembled. On the contrary, it inexplicably added too many ambiguous emotions of Hu Bayi and shriley Yang, breaking the harmony of the "iron triangle" relationship.

With the feedback from the adaptation of the first two films, from the current four episodes, Kunlun Temple seems to have achieved its strengths and avoided its weaknesses.

Of course, in this novel, the story of a group of nine people entering Lamill is not enough for writers and directors to add too many characters. It’s just that the duration of the single episode is half an hour, and the capacity of only 16 episodes, it remains to be seen what the team will delete from the original content.

Not only that, after four episodes, the team has not yet entered the core of the destination, which makes people worry about whether it will be as slow as the previous one. It’s just too early to worry or praise for Kunlun Temple.

Where did the online drama "Ghost Blowing Lights" win?

As mentioned earlier, there are a large number of literary and artistic works adapted from Ghost Blowing the Lamp.In terms of movies, there have been successful cases before.Searching for dragonsHowever, the follow-up works, like "pie", have been mentioned over and over again in Wanda’s various strategies, and there is no following. It’s just clear that the directorWu ErshanWill not return to directing, but byChen Kun; Aloys Chen、Shu Qi; Hsu Kei、Hsu ChiandBo HuangThe "iron triangle" composed of it is also difficult to reunite.

Assuming that without the blessing of the original team, as a series of works, it will eventually lose its original flavor.

The director that Huayi once found filmed Yunnan Worm Valley, Longling Cave and Kunlun Temple of God in the form of a set of filming.

The film was filmed by a group of new actors, and finally "Yunnan Worm Valley" was released at the end of 2018, with Douban 3.2 points; "Longling Cave" was directly streamed online after four years, and its reputation was only 3.3 points; As for "Kunlun Temple of God", there is no follow-up news.

To a great extent, the adaptation of the non-line version of the story is almost reduced to the state of magic change, where the outstanding adventure is robbed by love, and the actors are hard to fit in with the character temperament.The copyright of Huayi version comes from the Dreamer Film behind it. In fact, we can see the confusion of the copyright ownership of Ghost Blowing the Lamp before.

The novel began to be serialized in qidian in the early years, and in that era when IP copyright awareness was not clear enough, it eventually spread everywhere. With the progress of the follow-up industries, especially the acquisition of qidian by Tencent’s Reading Group, the film and television industry has developed more organically, and the copyrights have returned one by one.

In the end, Tencent, Dreamer and Wanda reached an agreement to hand over the adaptation of the series of novels of Ghost Blowing Lights to Tencent. Before Longling Mystery Cave, Tencent handed over Jingjue Ancient City to Noon Sunshine for production, but it was a pity that it did not continue to create.

As a result, Tencent cooperated with Seven Impressions and took the lead in shooting the prequel of Ghost Blowing Lights series, Angry Xiangxi. Pan Yueming played Chen Yulou, and the partridge whistle appeared in today’s Kunlun Temple.

The success of "Angry Sunny Xiangxi" has promoted the follow-up in-depth cooperation between the two.

Thus, in 2020, the iron triangle of Pan Yueming, Yuqi Zhang and Jiang Chao was assembled for the first time, and Longling Mystery Cave was completed. At the end of the series, the drama revealed that three actors had signed three series, and this year, in the press conference, they said that they had signed five series in one breath. In addition to the filming of "Return to the Market in the South China Sea", they will also star in the later "Wuxia Coffin Mountain".

Obviously, whether the IP universe can really take shape, the unity of the main creation is an important key.

As far as the current drama series "Ghost Blowing Lights" is concerned, on the premise that the script adaptation is as close to the original as possible, the actors are willing to accompany the audience to grow up together, which is the most valuable situation in the current drama market in China. Looking at the overseas drama market, those that have passed season by season are becoming classics in the hearts of netizens.

When the actor and the role are really equated, the soul is really injected into the work and the actor.

Perhaps, it is still too early to judge the quality of "Kunlun Temple of God", but for this kind of companion drama, the audience expects it and hopes that it will produce more possibilities.

With the rapid development of internet technology, the antique art market has ushered in a new wave of online. New formats such as webcasting appraisal and online auction emerge one after another, which brings unprecedented convenience to the collection and collection of antique works of art. However, there are many chaos behind the prosperity of this emerging market. On, Mr. Sheng Changyan, executive vice president of the format construction professional association of the All-China Federation of Folk Cultural Relics and Art Chamber of Commerce, accepted our proposal, and made an in-depth discussion on the present situation, problems and future development direction of the new format of online treasure.

Sheng Changyan, a famous expert in cultural relics appraisal, is the executive director of the Folk Cultural Relics and Art Chamber of Commerce of the All-China Federation of Industry and Commerce, the executive deputy of the professional association of industry construction, the chief appraiser of the appraisal committee, and the special researcher of the Cultural Relics Museum of Peking University Institute of Resources and Cultural Relics.

journalistHow does Teacher Sheng view the opportunities brought by online treasures?

Sheng laoshi：The rise of online treasure collection provides a convenience for collectors, enabling them to access rich art resources without leaving home, which greatly promotes the popularization of art collection knowledge. At the same time, this new format has also injected new vitality into the antique art market and opened up new market space.

journalist：Teacher Sheng thinksWhat are the main problems in the live broadcast of online treasure?

Sheng laoshi：With the rapid development of online treasure live broadcast, a series of problems have also been exposed, such as some institutions or individuals who do not have professional qualifications and appraisal ability flooding into the online market for false propaganda to defraud consumers’ trust; As well as the phenomenon of digging antiques by live broadcast, it has seriously damaged cultural relics and violated laws and regulations.

journalistIn view of these problems, what do you think should be done to strengthen industry self-discipline and supervision?

Sheng laoshi：In my opinion, strengthening industry self-discipline and supervision should start with perfecting the legal system, strengthening industry supervision and self-discipline, enhancing public awareness and awareness of prevention, and innovating technical means to strengthen supervision. Specifically, it includes accelerating the improvement of relevant laws and regulations, and clarifying the boundaries and responsible subjects of live mining and identification; Establish and improve the industry supervision mechanism and formulate unified industry standards and norms; Popularize the knowledge of antique art appraisal through various channels and ways to raise the public’s awareness of prevention; Use advanced technologies such as big data and artificial intelligence to conduct real-time monitoring and data analysis of online live broadcast mining and identification activities.

journalistWhat’s your outlook for the future of online treasure?

Sheng laoshi：Although the new format of online treasure has encountered some problems and challenges in the development process, as long as we can face these problems squarely and take effective measures to solve them, we will certainly be able to promote the healthy and orderly development of this new format. At the same time, it also appeals to collectors to be vigilant and enhance their awareness of prevention.

journalistWhat plans does the All-China Folk Cultural Relics and Art Chamber of Commerce have to promote the healthy development of the antique art market?

Sheng laoshi：All-China Folk Cultural Relics and Art Chamber of Commerce and other industry organizations will strengthen contact and cooperation with the live broadcast, provide certification and guidance for the live broadcast room, and jointly promote the healthy development of the antique art market. I believe that with the joint efforts of all of you, the outstanding cultural relics and artworks of the Chinese nation will certainly be better carried forward and passed down.

journalistTeacher Sheng, you mentioned the opportunities and challenges brought by online treasure collection before. Can you talk about these opportunities and challenges in detail?

Sheng laoshi：Of course. First, let’s talk about opportunities. The rise of live broadcast of online treasures has indeed brought unprecedented opportunities to the antique art market. It breaks the geographical restrictions of the traditional market and makes it easy for collectors to get in touch with art resources from all over the country. At the same time, the live broadcast has greatly enhanced the interaction, allowing Tibetan friends to understand the details and characteristics of works of art more intuitively, which has played a positive role in popularizing the knowledge of art collection and improving the public’s art appreciation ability.

However, opportunities are accompanied by challenges. In the process of rapid development, the live broadcast of online treasure has also exposed a series of problems. Among them, the most prominent is false propaganda and misleading consumers. Some institutions or individuals who do not have professional qualifications and appraisal ability, in order to seek benefits, make false propaganda under the banner of "authoritative appraisal" and "expert control" to defraud consumers’ trust. This not only led to a large number of fakes being misjudged as genuine products, but also caused misleading and economic losses to Tibetan friends. It also seriously undermined the normal order of the market and endangered the development of regular cultural relics buying and selling enterprises and auction industry.

In addition, the phenomenon of excavating antiques by live broadcast is becoming more and more serious, which is also a problem that cannot be ignored. Some anchors broadcast live archaeological excavations without permission, and even stole ancient tombs, which seriously damaged cultural relics and violated laws and regulations. These behaviors not only harm the public interests, but also seriously affect the healthy development of the antique art market.

journalist: How do you think the industry should respond to these challenges?

Sheng laoshi：In response to these challenges, I think the industry should respond from the following aspects:

Strengthen the construction of laws and regulations: Improve the relevant laws and regulations, clarify the boundaries and responsible subjects of live broadcast mining and identification, and increase penalties for behaviors. At the same time, establish a supervision mechanism for online live cultural relics appraisal and ensure the standardized and orderly market order.

Improve industry self-disciplineThe antique art industry should establish and improve the industry supervision mechanism and formulate unified industry standards and norms. Strengthen the supervision of online live broadcast, and strictly review the live broadcast content and anchor qualification. At the same time, promote the construction of industry self-regulatory organizations, guide enterprises and individuals to consciously abide by industry rules, and jointly safeguard the industry image and market order.

Popularize appraisal knowledgePopularize the knowledge of antique art appraisal through various channels and ways to raise the public’s awareness of prevention. Encourage consumers to participate in online live broadcast activities and enhance their ability to judge the authenticity of cultural relics. At the same time, strengthen the protection of consumers’ rights and interests, and provide assistance and rights protection support for victims.

Innovative technical means: Real-time monitoring and data analysis of online live broadcast mining and identification activities are carried out by using advanced technologies such as big data and artificial intelligence. The establishment of cultural relics information database and expert database, to provide convenient and accurate identification services for the public. At the same time, strengthen cooperation with public security, network information and other departments to form a joint force to crack down on behavior.

journalistWhat are your expectations for the future of online treasure?

Sheng laoshi：I am cautiously optimistic about the future of online treasure. I believe that with the joint efforts of the industry, we can overcome the current challenges and promote the healthy and orderly development of this new format. At the same time, I also hope that the vast number of collectors can maintain a rational and cautious attitude, be vigilant and avoid being deceived. Only in this way can we jointly maintain a healthy and prosperous antique art market.

journalistWhat specific development trends do you think this industry will have in the next few years?

Sheng laoshi：This is a very good question. In my opinion, in the next few years, the online treasure live broadcast industry will present the following development trends:

Specialization and subdivisionWith the gradual maturity of the market, the live broadcast of online treasures will become more and more professional, and works of art in different fields and styles will be more carefully divided and displayed. At the same time, anchors and broadcasters will pay more attention to their own professionalism and authority, and attract and retain audiences by providing high-quality appraisal services and content.

Technology integration and innovationWith the continuous development of big data, artificial intelligence and other technologies, these technologies will be more applied to the live broadcast of online treasures. For example, rapid identification and authenticity judgment of artworks can be achieved through AI technology, or VR/AR technology can be used to provide viewers with a more immersive viewing experience. The integration and innovation of these technologies will bring new development opportunities for the live broadcast of online treasures.

Strengthening supervision and self-disciplineIn view of the chaos in the current live broadcast of online treasures, I believe that the supervision and self-discipline will be further strengthened in the future. And related institutions will introduce stricter regulations and regulatory measures to crack down on behavior. At the same time, the industry will also strengthen self-discipline and promote the establishment of more perfect industry standards and norms.

Consumer education and protectionWith the popularization of live broadcast of online treasures and the improvement of consumers’ cognition, consumers will pay more attention to their own rights protection and knowledge accumulation in the future. Therefore, strengthening consumer education and protection will become one of the development directions of the industry. By providing rich educational resources and establishing convenient channels for safeguarding rights, we can help consumers better understand the art market, enhance their appreciation ability and protect their own rights and interests.

journalistWhat role do you think industry organizations can play in promoting the healthy development of online treasure?

Sheng laoshi：Industry organizations can play a very important role in promoting the healthy development of online treasures. Specifically, I think trade organizations can start from the following aspects:

Formulate industry standards and normsIndustry organizations can take the lead in formulating the industry standards and norms of online treasure live broadcast, and clarify the requirements of live broadcast content, anchor qualification and identification process, so as to provide clear guidance and norms for the industry.

Strengthen supervision and self-disciplineIndustry organizations can strengthen the supervision of the live broadcast of online treasures and supervise and crack down on behaviors. At the same time, promote the construction of industry self-regulatory organizations, guide enterprises and individuals to consciously abide by industry rules, and jointly safeguard the industry image and market order.

Provide education and trainingIndustry organizations can organize relevant education and training activities to improve the professional quality and appraisal ability of anchors and broadcasters. At the same time, it can also provide consumers with knowledge popularization and training in art appreciation and rights protection.

Promote exchanges and cooperationIndustry organizations can promote the exchange and cooperation between live broadcasts of online treasures, share experiences and resources, and jointly promote the development of the industry. At the same time, we can also establish cooperative relations with departments and scientific research institutions to jointly explore new development opportunities and models.

journalistTeacher Sheng, do you have any other unique views or suggestions about this industry?

Sheng laoshi：Of course, in addition to what I mentioned before, I think there are still some points worthy of attention.

First of all, I want to emphasize the dissemination of cultural values. The live broadcast of online treasure is not only one, but also a channel to spread culture and promote art. During the live broadcast, we should pay attention to excavating and displaying the cultural stories and historical values behind artworks, so that the audience can appreciate the profoundness of Chinese culture while enjoying the artworks.

Secondly, cross-border cooperation is also a direction worth exploring. Online Jianbao live broadcast can cooperate with tourism, education, culture and other fields across borders to jointly create distinctive cultural products and tourism projects. For example, online and offline art appreciation activities can be organized, or special exhibitions and lectures can be launched in cooperation with museums and art galleries to attract more people’s attention and participation.

In addition, data security and privacy protection are also issues that cannot be ignored. In the live broadcast of online treasure, a lot of personal information and data are involved. Therefore, we should strengthen the awareness of data security and privacy protection, and take necessary technical measures and management means to ensure that the security and privacy of user information will not be leaked.

Finally, I would like to give some advice to practitioners: continuous learning and promotion. The live broadcast of online treasure is a rapidly developing industry, and new technologies and modes are constantly emerging. As practitioners, we should keep an open mind and keep learning, and constantly improve our professional quality and innovation ability. Only in this way can we be in an invincible position in this highly competitive market.

journalistThank you very much for sharing these insights and suggestions. For the vast number of collectors and practitioners, this is undoubtedly a valuable asset.

Sheng laoshi：You’re welcome. I’m glad to share my views and suggestions with you. I hope these views can be helpful to everyone, and I also hope that the live broadcast industry of online treasure can develop more and more standardized and healthily.

journalistTeacher Sheng, the point you just mentioned is very forward-looking, which gives us a deeper understanding of the future of online treasure live broadcast. Then, in your opinion, what other directions or prospects for deepening exploration are worthy of our attention?

Sheng laoshi：Thank you very much for your question. Indeed, as a field that combines traditional culture and modern technology, there are still many directions worthy of further exploration and exploration.

First of all, personalized and customized services will be a highlight of the future network treasure live broadcast. With the increasing diversification of consumer demand, providing personalized art recommendation and customized appreciation service will become the key to attract users. Analyzing users’ preferences and historical behaviors through big data can provide users with more accurate and intimate services and enhance users’ stickiness and loyalty.

Secondly, the application of technology will also bring revolutionary changes to the network treasure. Technology is decentralized and cannot be tampered with, which makes it an ideal tool for art traceability and anti-counterfeiting. By linking the identification information and records of works of art, we can ensure the truth and integrity of the information and provide a more transparent and credible environment for the art market.

Furthermore, international cooperation and communication will also become the development trend of online treasure live broadcast. With the acceleration of globalization, the internationalization of the art market is getting higher and higher. The live broadcast of online treasures can actively seek cooperation with international art markets, museums, auction houses and other institutions to jointly promote the transnational exchange of works of art and provide users with more diversified choices and opportunities.

Finally, social responsibility and public welfare should also be actively undertaken by the live broadcast of online treasure. By organizing art public welfare activities and supporting cultural heritage protection, we can actively fulfill our social responsibilities, transmit positive energy, and enhance our brand image and social influence.

journalistThese directions you mentioned are very forward-looking and innovative, which makes us full of expectations for the future of online treasure live broadcast. So, in your opinion, what conditions or support are needed to realize these directions?

Sheng laoshi：The realization of these directions really needs support and efforts in many aspects. First of all, it needs policy support and supervision guidance from relevant institutions to provide a stable environment and market environment for the development of the industry. Secondly, it is necessary to increase investment in technological innovation and research and development with enterprises, and constantly improve their own technological strength and innovation ability. At the same time, it is also necessary to strengthen cooperation and exchanges within the industry to jointly promote the development and progress of the industry. Finally, we need the support and participation of users, and constantly improve and optimize our services and functions through users’ feedback and suggestions.

journalistFinally, what do you want to say to collectors and practitioners?

Sheng laoshi：What I want to say is that as a new industry, the live broadcast of online treasure is facing many challenges and problems, but it also contains great opportunities and development potential. As collectors and practitioners, we should keep a rational and cautious attitude and constantly improve our professional quality and appreciation ability. At the same time, we should actively support and participate in the healthy development of the industry, and jointly promote the live broadcast of online treasures to a more prosperous and standardized future.

journalistThank you very much for sharing and discussing today, which makes us have a clearer understanding and expectation of the future of online treasure.

Sheng laoshi：You’re welcome. I’m also glad to share my views and suggestions with you. It is hoped that the online treasure industry will continue to develop and progress, bringing cultural and artistic enjoyment to more people. At the same time, I also expect you to continue to pay attention to and support this industry and jointly promote its prosperity and development.

Disclaimer: The market is risky, so you should be careful when choosing! This article is for reference only, not as a basis for trading.

Article complaint hotline: 157 3889 8464 Complaint email: 7983347 16@qq.com.

　　[Aika Auto Domestic New Car Original]

　　On the evening of May 9, Haval’s brand-new SUV, Xiaolong/was officially launched. Positioning compact SUVs,A total of three models were launched, and the price range was 139.8-156.8 million yuan.; Xiaolong MAX locates a medium-sized SUV.A total of three models were launched, and the price range was 159.8-179.8 million yuan.And Xiaolong MAX will become the first model equipped with Hi4 intelligent electric hybrid four-wheel drive system.

　　Xiaolong

　　The new car adopts the design of closed air intake grille, only the air intake below is reserved, and the headlights adopt a brand-new design, which is closer to new energy vehicles as a whole. The penetrating waistline on the side enhances the visual length of the whole vehicle. The design of the roof is slightly inclined downward, creating a coupe design style, which is more youthful. At the top of the rear, there is a two-stage spoiler and a pilot high-position brake light. The taillight shape echoes the headlights. The positioning of compact SUV is 4600/1877/1675mm in length, width and height respectively, and the wheelbase is 2710 mm.

　　In terms of interior, the overall design of Xiaolong is quite similar to that of Haval beast, equipped with a dual-screen design of 12.3-inch full LCD instrument and 14.6-inch central control LCD screen. At the same time, the car is also equipped with a key shift mechanism and a wireless charging panel. There is a hollow storage compartment at the bottom of the center console, which is beneficial to increase the storage space in the front row.

　　In terms of power, Xiaolong is equipped with a plug-in hybrid system consisting of a 1.5L engine and a front-mounted single motor, with a maximum power of 74kW and a peak torque of 132Nm. The transmission system is matched with a 2-speed DHT gearbox, and the cruising range of pure electric NEDC is 52km and 110km respectively.

　　Xiaolong MAX

　　Xiaolong MAX’s front face is equipped with a borderless grille design with a mesh structure, and also uses a new headlight design. The design of the tail is relatively simple, and there is no through taillight shape at the rear, but the taillight shape is more capable and sporty than Xiaolong. The rear enclosure and the car body are in different colors, with chrome trim, which enhances its sports properties. In terms of body size, the length, width and height of the new car are 4758(4771)/1895/1725mm respectively, and the wheelbase is 2800mm, so it is positioned as a medium-sized SUV.

　　Xiaolong MAX has adopted a brand-new interior design, using a 12.3-inch LCD instrument, a 12.3-inch central control system control screen, and a 12.3-inch co-pilot entertainment screen. The overall luxury is stronger and the configuration is richer. It will be equipped with a new generation of Coffee OS system, equipped with Snapdragon 8155 chips. In the car, the gear lever was cancelled, and the arms were replaced, which released the space in the T-shaped area. Two mobile phone holders were set in the most conspicuous position. The left side was 50W wireless fast charging with forced air cooling, and the right side was probably for cost control, and there was no mobile phone charging configuration.

　　Coffee intelligent OS interface is not the same as Euler and Wei brand series, and Harvard has made its own vision. In addition, the front row is equipped with laminated glass, which is a very kind configuration at the same level. Intelligent voice interaction is also silently improving the recognition rate and comprehensive user experience, and making users as loyal to using voice functions as possible. The top model is also equipped with 22 smart sensors and added new functions such as mobile sentry.

　　In terms of power, the new car is equipped with a plug-in hybrid system consisting of a 1.5L engine and dual motors, in which the maximum power of the engine is 85kW, the total power of the system reaches 205kW, and the peak torque is 585Nm. The transmission system is matched with a 2-speed DHT gearbox. The pure electric NEDC has a cruising range of 105km, and the acceleration time of 0-100km/h is 6.5 seconds. The battery comes from the ternary lithium battery of Guoxuan Hi-Tech.

　　What is interesting is that the new car is equipped with Hi4, the intelligent four-wheel drive hybrid technology of Great Wall Motor for the first time. This system optimizes the dual motors in the traditional DHT gearbox, endows the original generator with driving function, and moves the driving motor to the rear axle. Therefore, four-wheel drive can be realized without changing the number of motors.

　　Analysis of competitiveness

　　Haval Xiaolong and Xiaolong MAX are both plug-in models. With reference to vehicle positioning and product pricing, their competitors are self-evident, and the sword refers to BYD. At the same time, the joint venture model Honda CR-V e:PHEV is also its potential competitor. Xiaolong focuses on the mainstream consumer group market, while Xiaolong MAX faces the higher-end market. Haval Xiaolong will also launch pure electric products at the end of 2023, which will bring stronger competitiveness through the product matrix of pure electricity and plug-in hybrid power.

　　Full text summary:Haval brand has confirmed that it has fully started the electric transformation. Xiaolong and Xiaolong MAX are the key models on the road of transformation, which will not only be equipped with the latest plug-in hybrid power, but also be equipped with the intelligent four-wheel drive electric hybrid technology Hi4 of Great Wall Motor for the first time. The popularity of electric four-wheel drive is of great significance to Great Wall manufacturers, because it can once again enlarge the aura of professional SUV manufacturers of Great Wall Motor.